[Kzyxtalk] Apropos of this Tim Gregory brouhaha: a blast from the past.
John Sakowicz
sako4 at comcast.net
Thu Mar 23 11:58:48 PDT 2017
This is so well-written, Marco, and the argument is so well-reason.
I said it during the candidates forum on-air on March 15, and I'll say it again: If by some miracle I were to get my show back at KZYX, I'd gladly give that slot on the schedule to you. You do up to five hours of radio in a single show, and you hold my interest for that entire time. Your shows are,, by turns, informative and entertaining. Some a darkly funny. More than a few are classics.
Continue to build your digital platform for your show. KZYX is an anachronism. Live broadcasts isn't where it's at. On-demand online media is where it's at. On-demand mobile media. is where it's at. Podcasts, Marco. Podcasts. And webstreams. Start a Youtube channel, too. Fold in some video with the audio.
----- Original Message -----
From: "Marco McClean" <memo at mcn.org>
To: "kzyxtalk" <kzyxtalk at lists.mcn.org>, "discussion lists" <discussion at lists.mcn.org>
Sent: Thursday, March 23, 2017 12:35:28 AM
Subject: [Kzyxtalk] Apropos of this Tim Gregory brouhaha: a blast from the past.
(from the Anderson Valley Advertiser, Feb. 1, 2016:)
Subject: Tim Gregory, ladies and gentlemen.
Tim Gregory wrote: “Self-destructive souls are the hardest to
understand...they go down to the crossroads again and again, and wonder
why they keep getting run over. Without any real base on the board, or
within the organization for that matter, js [John Sakowicz] will mewl
outside the door forever, as does Marco...civility? No, thanks...team
play? As long as they can be captain... We are bigger and better than
this. The board did well to isolate the bull in the China shop so
far--perhaps now we need help from Humane Society?”
Marco here. Tim, you remind me: I hardly ever listen to KZYX anymore; so
much of it is so dumb, and when I'm not working at my various day and
night jobs I'm watching a film or helping at the theater company or
reading and writing and working on my own show (KNYO and KMEC); even so,
whenever I flip through the dial lately and stop on KZYX I hear
show-ejection-level pottymouth swearing. On Women's Voices, for example,
the week after Xmas: a recorded airheaded Gaia-worshiping
feminine-mysteries-of-the-universe speech with incidental ejaculations
of shit. And on your show, Tim, a few /fucks/, for good measure. And
Saturday night Jan. 23rd, on somebody's actually pretty good show: the
Fish Cheer (F-U-C-K! Fuck! Fuck! Fuck!) (300,000 people yelling
FUUUUCK!), and immediately after that a Richard Thomson sound-alike
calling, in song, his official enemies motherfuckers. And my attitude
about all that is a philosophical, /So what? Where's the harm?/ Because
the FCC has never, I repeat never, pulled the license of any FM radio
station for a few swears here and there, commercial or noncommercial,
small market or large market, even outside of the Safe Harbor hours, so
it's a trick that your self-important masters use to remove from their
presence anyone who will not kowtow properly to their authority and
please them. The bosses are not following the law because it's right or
because it's the law -- really there are a lot of ways in which they
don't follow the letter or spirit of the law; they're just using a
scarecrow of the law to enforce their own arbitrary rule in what they
think of as their clubhouse. And you know it.
This was my experience in 1989 at KZYX. Sean Donovan didn't like Mitch
Clogg, because Mitch wouldn't kowtow properly to him. He kicked Mitch
off the Environment Show. I brought Mitch onto my show to talk about it.
Next week Sean phoned on the night of my show and told me I was off the
air and out of the station for good, don't bother driving there. Much
later I was told: the official reason I'd been banned was that weeks
before the Mitch offense I'd said the word bullshit at 2am, and Sean had
saved that up against a time of greater need. That's how they do it.
That's how Sean's appointment Mary Aigner got rid of Facilitator 1, the
best deejay KZYX ever had. Mary just didn't like her, so she kicked her
out and said it was for playing a sweary song in the middle of the
night. This maneuver is what's called in the musical world a repeating
motif.
But, Tim, you know you'll never be kicked off your show or out of the
station, because you're a true sycophant. The proof: your show is
consistently objectively lousy. You put zero preparation and zero effort
into it, and even your two listener/callers will agree to that. You show
up with nothing, no educational content, nothing of an intellectually
stimulating or even poetic nature, you play some CD sides and mumble the
telephone number, and you ID the station. That's your show, over and
over, for decades. Every time I tune to your show and let it run for
awhile, there's little to keep a listener there, least of which your
stoned-sounding breathy mumbling. Rick has an excuse -- he has a
disability -- but he's clever and he prepares from a base of knowing a
great deal about the music his engineer helps him play. Shining through
his speech impediment: he's a musician and a scholar and a talented
radioman. You're not. John Sakowicz is abrasive and mercurial and
sometimes shocking, but his show is doing the work of radio and yours
isn't. And Mary kicked him out because she goaded him into swearing
quietly to himself in the background, not even on a mic, while she was
at the mixing board sabotaging his interview show. And all these years
she's been paid for that kind of sabotage, by the way, almost half the
station's entire yearly membership money, a fact never brought up during
the interminable unlistenable poor-sad-twinkly-us pledge drives. And,
while all the office people who don't know jack squat about how to do
radio were and are being paid like little barons and princesses, on a
Mendocino scale, the airpeople are not paid at all, because the bosses
have been lying all along that there is no money to pay people like Rick
and Jamie and Verge and so on. And Verge bailed.
Tim, when you stir yourself to try a little harder and do much better
radio than I've ever heard you do, and you speak up about injustice in
terms that are a little less mushmouthed and are even slightly focused,
and /then/ they kick you off the air and out of the station and they
claim it's because you played a song with a swear word in it, we'll all
be interested to see how righteously and civilly you defend your abusers
against all the others who spoke up and were kicked out and locked out.
Speaking of which... Norman, when you go to the station tomorrow to
inspect the records, bring your phone so you can photograph paper
documents, in case they refuse to let you use the copier or
sheet-scanner. And bring a thumb drive, so you can take big files away
with you to examine later. I'm interested in finding out who holds the
lease on the studio building, and to know the details of the lease. And
I'd like a breakdown on how much the different office positions have
been paid year by year -- so-called manager and superfluous program
director and beyond-superfluous business underwriting coordinator and so
on, because the pretend reports are not detailed enough. I mean, I'd
really like a clearer idea of where that half a million dollars comes
from and goes every year.
We're all members as well as taxpayers, and so part owners of KZYX, and
we have a right to know all these things and more.
Remember, KMFB was an operation easily as big and busy as KZYX and ran
quite well on about a fourth of that much, and had no government grant
and no noncommercial charity organizational benefits, and everyone at
KMFB was paid, including all the airpeople and, at least in its last
twenty years, no-one was fired for playing a song with a swear in it,
and the phone was always live and available, and there was no
seven-second delay nor panic button, and everyone was comfortable
talking about station business on the air if the matter came up in
conversation.
PS. I finally got to see the stop-motion animated film /The Boxtrolls/.
I think it illustrates the situation at KZYX eerily well. And stay
through the end credits; there's a wonderful dialogue between the two
street sweepers, where the filmmakers leave the animator in the frame
while the puppets talk about free will and destiny and all that.
Marco McClean memo at mcn.org
http://MemoOfTheAir.wordpress.com
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